On George Carlin’s birthday today, we’re taking a look at the comedian and some fellow edgy comics who flipped the script on funny.
Happy f**ing birthday, George Carlin! Too bad you’ve been dead since 2008, but “why do we celebrate the birthdays of dead people?” seems like a setup for one of your routines, so, here we are. Speaking of routines, “Seven Dirty Words You Can’t Say on TV” was your most famous, so to commemorate your 79th (minus eight) birthday, here’s a look at seven comedians who’ve turned the air blue—and changed the culture with their frank and funny observations.
Carlin was once arrested with Bruce, and in his 1972 routine adapted his seven dirty words from nine that landed Bruce in jail on one occasion, omitting “ass” and “balls.” Carlin himself was arrested for performing “Seven Dirty Words,” part of his image-changing Class Clown album, in Milwaukee that year. The uncensored radio broadcast of a variation on the routine in 1973 set in motion a chain of legal challenges that culminated in the 1978 Supreme Court decision FCC v. Pacifica Foundation, which defined the Federal Communications Commission’s power over regulating the broadcasting of indecent material. But Carlin had by then found his niche on HBO and pay cable, which let him say “piss,” “shit,” “tits,” “c**ksucker,” ‘c**t,” “f**k,” and “motherf**ker,” as much as he liked. (Younger viewers innocent of his ribald specials heard him as “Mr. Conductor” on several seasons of Thomas the Tank Engine.) “When you’re born, you get a ticket to the freak show. When you’re born in America, you get a front-row seat,” he commented—but he might be pleased to know that in 2012 the Supreme Court ruled that the FCC could no longer impose fines and sanctions on verbal obscenities and indecency.
Richard Pryor reigns at No. 1 on Comedy Central’s list of all-time greatest stand-up comedians. Watered-down movies and one rough patch after another in his personal life, including near-immolation while freebasing cocaine in a notorious 1980 incident, didn’t dilute the impact made by profanely hilarious albums and concert movies like the Grammy-winning …Is It Something I Said? (1975) and Richard Pryor: Live in Concert (1979), an HBO staple in its era. Pryor was the maestro of the “n-word,” titling two of his bestselling albums with it, but following an inspirational trip to Africa in 1979 he abandoned its use. “I went to Zimbabwe,” he recalled. “I know how white people feel now—relaxed! Cause when I heard the police car I knew they weren’t coming after me!”
Andrew Dice Clay
Stand-ups like Bruce, Carlin, and Pryor used dirty words pointedly, to take on sacred cows like politics, religion, and “proper” American values. Andrew Dice Clay was a shock-for-shock-sake’s kind of guy, who let it hang out so alarmingly in his Madison Square Garden-filling heyday that MTV banned him in 1989 (“Little Bo Peep f**ked her sheep” began his “adult nursery rhymes” routine) and Saturday Night Live cast member Nora Dunn and musical guest Sinead O’Connor, appalled by his misogyny, boycotted his 1990 guest-hosting stint. (He cried about the episode on The Arsenio Hall Show that year.) Clay, who has said he was an actor playing the part of a shock comic, showed impressive dramatic chops opposite Cate Blanchett in Woody Allen’s Blue Jasmine (2013), and revived his crude “Diceman” persona for Showtime’s currently airing Dice.
Best known for her brash “domestic goddess” persona on the Emmy-winning sitcom Roseanne, Barr made headlines in 1990 for a hellacious rendition of The Star-Spangled Banner before a Padres and Cubs baseball game in San Diego, one that no less than president George H.W. Bush deemed “disgraceful.” (“I just thought it would be funny,” she said.) Barr’s not in the limelight so much these days but she does make controversial use of her allotted 140 characters on Twitter, posting George Zimmerman’s address in the wake of the Trayvon Martin killing, telling singing sensation Adele to “stfu” about her “endless heartbreaks” (“Jazz it up chubby”), and zig-zagging from anti-Zionist views to anti-Muslim ones. “A car wreck,” AlterNet called her. But she’s forever unrepentant. “I love colorful language,” she says. “I used to get my mouth washed out with soap by my mom for doing it. So of course I never did it around her too much. I did around my friends. It’s so free.”
“Wouldn’t it be wonderful if our p**ssies were detachable?” muses Wanda Sykes in one of her sexually charged routines. “We could go for a jog late at night and if a man jumped out of the bushes we could say, no, sorry, we left it at home, got nothing on us!” Sykes is a classic foul-mouthed foil for Larry David on HBO’s Curb Your Enthusiasm, calling him on his BS, but she’s best when she’s keeping it personal, as when she talks about being prepped to host the White House Correspondents’ Dinner (“Did they really think I was gonna say ‘f**k’ to all those ‘f**ing dignitaries?”), and discusses her race and her lesbianism. “It’s harder to be gay than black. I didn’t have to come out black,” she says in her Emmy-nominated HBO special I’ma Be Me (2009). “I didn’t have to sit my parents down and tell them about my blackness.”
Don’t be fooled by her Jewish girl-next-door wholesomeness—Sarah Silverman has claws. But she uses them sweetly. Take her scene-stealing punchline in the 2005 documentary about the world’s dirtiest joke, The Aristocrats—it’s all very matter of fact, as she frames it as autobiography, candidly describes one lewd act after another, and brings TV host Joe Franklin into the telling. (Outraged, he considered filing a defamation suit against her.) She carried over that same ironic detachment to the potty- and genital-fixated Sarah Silverman Program on Comedy Central, wrote a book about her bedwetting, and in 2008 won an Emmy for an ode to infidelity she penned for then-boyfriend Jimmy Kimmel’s talk show, “I’m F**ing Matt Damon.” “I don’t set out to offend or shock, but I also don’t do anything to avoid it,” she says.